deviatesinc:

The Cockettes, 1971

photos by Leonard Freed

(via korkievanwerff)

@19 hours ago with 395 notes
ohthentic:

queer: ohthentic.tumblr.com
@5 days ago with 50149 notes
askepticaldesigner:

(via Just an Illusion # 278)
@5 days ago with 22 notes

(Source: angiefalanji, via clingtotheperch)

@5 days ago with 5 notes

(Source: COCAINEPRACTICE, via living-road)

@5 days ago with 67688 notes

thinkingimages:

Ana Mendieta
The Haunting Traces Of Ana Mendieta Go On View (NSFW)
The Huffington Post  | by  Priscilla Frank
Posted: 04/02/2014 10:22 am EDT Updated: 04/02/2014 
http://www.huffingtonpost.com/2014/04/02/ana-mendieta_n_5071279.html
@5 days ago with 24 notes
elysesummerhouse:

The skeletal structure of a doll.
Elyse House 2014

elysesummerhouse:

The skeletal structure of a doll.
Elyse House 2014

(via homelesscloud)

@5 days ago with 30 notes

(Source: gaypauli, via gaypauli)

@1 month ago with 332 notes
bizarrefashiontrianglee:

margiela zentai 
@2 days ago with 97 notes
vintagegal:

Marilyn Monroe in The Seven Year Itch (1955)

vintagegal:

Marilyn Monroe in The Seven Year Itch (1955)

(via vomithirmind)

@5 days ago with 4865 notes
askepticaldesigner:

(via ARTS & CRAFTS #309)
@5 days ago with 28 notes
renaissance-art:

El Greco c. 1596-1600
Adoration of the Shepherds 

renaissance-art:

El Greco c. 1596-1600

Adoration of the Shepherds 

(via nomadcomposer)

@5 days ago with 87 notes

(Source: indyllmatic, via castlesvania)

@5 days ago with 145 notes
cavetocanvas:

Ana Mendieta, Silueta Works in Mexico, 1973-77
From The Museum of Contemporary Art, Los Angeles:

Ana Mendieta was born into a politically prominent family in Cuba closely affiliated with the Communist movement led by Fidel Castro. When the alliance between Castro’s factions and Mendieta’s father turned sour in 1961, she was sent to live in the United States. Her exile informed the development of her ensuing work; she did not identify with a particular homeland and adopted various sites for her performances and their documentation. The untitled works that comprise the Silueta series, which she preformed as she traveled between Iowa and Mexico, reveal her interest in the earth as a site to address issues of displacement by recording the presence of her body—or the imprint it left behind—within different natural environments. Mendieta often filled in the silhouette of her body on the earth with various materials such as rocks, twigs, and flowers, as well as blood and gunpowder.

cavetocanvas:

Ana Mendieta, Silueta Works in Mexico, 1973-77

From The Museum of Contemporary Art, Los Angeles:

Ana Mendieta was born into a politically prominent family in Cuba closely affiliated with the Communist movement led by Fidel Castro. When the alliance between Castro’s factions and Mendieta’s father turned sour in 1961, she was sent to live in the United States. Her exile informed the development of her ensuing work; she did not identify with a particular homeland and adopted various sites for her performances and their documentation. The untitled works that comprise the Silueta series, which she preformed as she traveled between Iowa and Mexico, reveal her interest in the earth as a site to address issues of displacement by recording the presence of her body—or the imprint it left behind—within different natural environments. Mendieta often filled in the silhouette of her body on the earth with various materials such as rocks, twigs, and flowers, as well as blood and gunpowder.

(via thinkingimages)

@5 days ago with 945 notes
freycamisolepublic:

 Leg Spiral, 1975 by Mike Parr

freycamisolepublic:

 Leg Spiral, 1975 by Mike Parr

(Source: gallowhill)

@3 weeks ago with 1641 notes